This is not my usual kind of story at all but the blurb of the book sounded so intriguing, I just had to read it. Just to give you a slight idea of the Dark Web – it is over 500 times bigger than the web as most of us know it and is 99% of the internet you can’t Google. It’s not illegal to access and you can’t ‘accidentally’ find yourself in there.
Azi is a hacker working on the Dark Web in his garden shed. He sees himself as mostly a good guy hacker, he doesn’t exploit companies or hold their data to ransom but he’s capable of severe meddling. After seeing some serious terrorist related information passed to him by an internet ‘friend’ he is within minutes visited by unknown people who persuade him to arrange to meet his friend Munira, and leave the country. For a while in the book I was unsure who were the good guys and who were bad, so I just kept reading with an open mind and accepted it as told until it more fully unfolded. I don’t want to say more about the actual story, but I did find it quite gripping, also amazing, and wondered where the story would end up.
It has a dual storyline with Azi and Munira in the main but also Kabir in Syria trying to make his escape. It also occasionally goes back to Azi’s childhood when he first started his passion for computers. I’ve been around since “dial up” using a 3.1 machine, in fact before then I used a Vic 20 without internet access, so sympathised with Azi in his frustrating early days – kids today don’t know how good they’ve got it.
This Is Gomorrah is well worth a read and think it might suit men and those with computer and internet knowledge more than others – though I enjoyed it so give it a go. It’s well written and Tom Chatfield has certainly got a technological, streetwise and astute mind.
Jessica Shaw is a private investigator. She specialises in missing persons and while trawling through online pictures of various missing people wondering which job to take up next, she receives an email with a picture of a three year old with the message ‘your next job’. Jessica recognises the little girl as herself, and with a little bit of investigation realises that she was once that missing person.
The investigation which she obviously has to take up, makes her feel her whole life was a lie and she just has to find out what happened to her murdered mother, who the man was who brought her up, and who her real father is. Someone from the past wants to keep things in the past, and as Jessica faces things head on she unwittingly puts her life in danger.
This is a very intriguing storyline – not knowing you’re a missing person – and it is cleverly written with a dual story of a very brutal murder of a young student. The two stories seem to be separate, and so many years apart, but all is revealed at the end.
C.L. Taylor never fails to grip you from the very first pages.
The opening chapter is a killer! Then, Anna is driving three work colleagues back to London in atrocious weather, just following the rear lights of the car in front because conditions are so poor. One of them feels ill and wants to open one of the back windows. This knocks Anna’s concentration and before she realises what’s happening, the car spins out of control and rolls. On waking in hospital, Anna comes to realise that two of her passengers are dead and one has serious life changing injuries. As Anna recovers, she has the feeling that she’s being watched and followed. Scared, having just broken up with her boyfriend and needing a new start in life where nobody knows who she is, Anna takes a job as a hotel receptionist on the remote Scottish island of Rum. The holidaymakers are flaky and flawed and as a storm comes in, Anna realises that whoever was following her in London is still following her now.
Sleep started off like her novels usually do – normal, believable characters but in unusually tense situations – but once it got going, Anna is put in an isolated situation with a new group of characters. It reminded me very much of an Agatha Christie style whodunnit with red herrings throughout and only a limited number of people out to get Anna.
C.L. Taylor is brilliant at creating suspense, that nail-biting, seat-of-your-pants thriller that keeps you turning pages. I’d recommend any of her books.
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When a book goes to screen I always try to read the book before it appears at the cinema or TV. I did this one the other way round, and I’m so pleased I did. After watching the Killing Eve series, I just had to read the book – Villanelle was under my skin. After reading a few book reviews, I realised that it wasn’t liked by all but I felt that watching the series first gave a head start on Villanelle’s character.
With visual characters already in my head, I quickly got into the story, slightly different from the TV series, and immediately loved Oxana (later becoming Villanelle) and Konstantin. The book does flip about and has a rushed, almost the book in a draft form feel about it, but this staccato, slightly detached writing style really fits with Villanelle’s character. She is seriously flawed, crazy and uncontrollable at times and her lack of emotion makes her a perfect assassin.
Eve is a character who seems to be always running on catch-up. She never makes dinner with her husband even when they have guests round. She’s uncomfortable in fashion and barely has time to do her hair or apply make-up – she knows she should make more of an effort but it just doesn’t seem to work for her. The final straw is when she’s kicked off her job of finding the mystery female assassin who killed on her watch. She knows she’s close and just has to find this cold killer.
Villanelle has certainly got under my skin and I now have to read book two before it hits the screen.
Death’s Dark Veil opens with someone on their death-bed being taunted and observed by ghostly figures. She knows who they are and knows they have come to escort her to the next world, but their descriptions are terrifying and I wondered if she could ever rest in peace.
The first chapters introduce two very different characters, Georgie and Ivy, and these two young girls create the theatre for a very dark and dangerous show. Each has a tragic start to their adult lives but grow into strong and capable young women. We follow them individually to the time their lives collide at Tenley House, the Gothic towering home of first Daphne and Kenneth, then Georgie and Kenneth, as well as a dreadful old bat mother-in-law, Phyllis. Evil is all around, too many deaths for comfort (and coincidence), so who is behind these suspicious deaths?
Well written in a dark and menacing way with a good amount of humour to keep things light – the nick-name for curmudgeonly Phyllis, (Syphilis) had me howling. There are gasp out loud moments at tragedies and deaths, and there is a great twist at the end. I certainly didn’t guess the outcome and I loved the ending.
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Rachel suspects her husband is having an affair after finding messages on a Twitter account which has been left open on her laptop. She goes to the hotel she believes he is meeting someone, only to see her husband’s car hitting a pedestrian and driving away from the scene of the crime.
Meanwhile, Rachel’s friend and business partner Suzie, is having an embarrassing time at the bank after finding that her bank cards don’t work. Her account has been suspended because of her massive unauthorised overdraft with the threat of her flat being called in as security. Suzie, of course, knows
nothing of the debt.
Two very gripping and interesting storylines from the very start and the tension just keeps building.
The police question Rachel and her husband about the hit and run, and Suzie is trying to piece together what the missing money has to do with her missing boyfriend. This very quickly becomes one of the most gripping and suspenseful books I’ve read. There is an intense feeling of the runaway train having left the track and is heading towards disaster with nothing anyone can do to stop it.
Very well written, fabulous characters and nails bitten to the quick!
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I love Karin Slaughter’s writing style and how she’s developed and matured over the years, from her early days of the Grant County series and through the Will Trent series. Pieces of Her is her fourth full length standalone novel. It’s cleverly written over two timelines thirty-two years apart which are not at all confusing, you won’t get them mixed up, although the plotline itself is quite complicated.
In the first chapter we meet Laura who is undergoing chemo for breast cancer, and her daughter Andrea, at a restaurant chatting about Laura’s illness and that Andrea should move out of the family home and get a place of her own. Andrea’s life is stale and stagnant and needs something to give her a push to the next chapter in her life. While they are chatting, a gunman opens fire on people around them and Laura is caught in the gunfire. Andrea is like a frightened rabbit and can’t move from behind her mother and is almost shocked into a stuttering silence when Laura speaks with the shooter and one of them ends up dead.
Andrea’s life then takes off in a completely different orbit as she tries piecing her life together, questioning her mother’s past and now facing much danger. The story goes back to events over thirty years ago and we start to understand the events then with what is happening in Laura and Andrea’s life today.
This is a fast paced crime story, sometimes graphic and gory but always gripping. At times it’s heart stoppingly intense and fast paced with chases and danger at every turn.
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